Hamilton: An American Musical

       In just a few days Hamilton: An American Musical will be debuting on Disney+. When I first heard this news I was elated. I’ve seen the stage production in Chicago twice and listened to the original cast recording many times. I wanted to take the time today to tell you a little about it before it airs on a streaming service with so much content for children. 
       If you have Disney+, you know it’s great. The vault has been opened and users have access to (almost) all the movies Disney has created. That said, it is important to keep in mind that not all movies on the service are appropriate for children. Some, like superhero movies, are violent and not appropriate for small children.
       Which brings us back to Hamilton. As I said before, I thoroughly enjoy the musical but always shudder when I see young kids listening or attending. Here’s why. There are several objectionable elements that make the musical inappropriate for young kids. 

• Language: Foul language appears in several songs. The opening line is, “How does a bastard, orphan, son of a whore and a Scotsman, dropped in the middle of a forgotten spot in the Caribbean by providence impoverished, in squalor grow up to be a hero and a scholar?” These words are strong but they are meant to set up the audience by shocking them into realizing this founder whose image we see all the time has a back story that is much like many who grew up in troubled circumstances. His parents were unmarried and his mother was an adulterer so during his lifetime he did deal with these slanders thrown at him.
•  Adultery : Alexander Hamilton had an affair with Maria Reynolds with her husband’s knowledge. He even paid bribe money to keep James Reynolds quiet. When I heard this I was shocked and disgusted. How could he?! The musical includes this in song demonstrating Hamilton’s failure as a husband and a father. It also shows how devastated his wife was and how thoroughly his actions hurt his family.
• Intellectual Maturity: Part of being a mature reader or listener of a story is understanding that stories moralize and teach lessons without stating them outright. For example, I’ve heard people say that God must be okay with polygamy because it is in the Bible. Let’s look at that for a minute. In the New Testament, he specifically talks about the husband and wife relationship and it is clear that there is only one of each. In the Old Testament, He creates Adam and Eve but doesn’t specifically say that polygamy is bad. So it must be good? No! Look at all the examples: Jacob, Leah, and Rebecca; David and his many wives; Solomon and his many wives. None of these examples are good and all leave the observant reader recognizing that polygamy is bad and that God’s way of doing things (one man and one woman) is much better. Good writers can communicate values to their readers without specifically spelling them out. In the song “Hurricane” Hamilton is contemplating his life. He looks at his successes and comes to the wrong conclusion about his life.

“. . . I wrote my way out of hell (referring to his birthplace in the Caribbean where his father abandoned them and his mother died)
I wrote my way to revolution.
I was louder than the crack in the bell.
I wrote Eliza love letters until she fell.
I wrote about the Constitution and defended it well.
And in the face of ignorance and resistance,
I wrote financial systems into existence.
And when my prayers to God were met with indifference, 
I picked up a pen, I wrote my own deliverance. . . ."

       He concludes that he wrote his own successes in the past and decides to do it again. This time his writing exposes his family to shame and he finds that he can not write himself out of every situation. Later in the song “It’s Quiet Uptown” Hamilton receives forgiveness from his wife and we see a beautiful example of redemption. I’ve heard immature listeners quote “Hurricane” as a type of mantra but that lacks the understanding of its place in the story. 
       So, there are the negatives. With all that you may be saying, “Um, Edy, why are you a fan of this show?” Yes, there are negatives. But there are many parts of this musical that lead me to rank it up with my favorites including The Phantom of the Opera and Les Miserables. 

• It’s straight out of history, sort of. Miranda read the biography of Hamilton written by Ron Chernow and fell in love with the story of this lesser-known founding father who emigrated to the colonies from the Caribbean. Miranda saw Hamilton’s life as the story of a man who comes from nothing, gains it all, loses it all, then gets it back before dying in a gunfight. He saw it parallel many modern stories and decided to write a hip-hop musical about the founders because hip-hop is the music of our time. We meet figures that sound like they walked out of a rap album like Hercules Mulligan but were in fact contemporaries of Hamilton. I say “sort of” because it isn’t true that Hamilton met Aaron Burr, John Laurens, Hercules Mulligan, and the Marquis de Lafayette all on the same day. Miranda changed some of the events to liven up the musical. Lest you get too offended by this remember this is standard practice for historical fiction writing. 
• The founding fathers are heroic. In the original Broadway cast as well as traveling shows, minorities are cast as the founders. “This is a story about America then, told by America now.” I love this. This isn’t about “white” history. As Americans, this is OUR history. George Washington is introduced when Hamilton says, “I will fight for this land, but there’s only one man who can give us a command so we can rise up . . .” Washington is imposing, demonstrates strong leadership, and courageous. Hamilton does push for manumission (freeing slaves) which Washington did not. The story mentions that Hamilton and Laurens were both in favor of manumission but the others were not. Hamilton even debates Jefferson on slavery a bit during the Cabinet Battle scene. Although rarely studied with more than a passing glance the Marquis de Lafayette gets top billing as a main character. This is wonderful considering just how loved Lafayette was in early America. When he arrived in New York to visit (1824) 50,000 people were there to greet him, a full one-third of the city’s population. To put that in perspective 3,000 people greeted The Beatles when they arrived in New York in 1964. Considering the recent hatred for men like Washington and Jefferson I think it is wonderful to see their more heroic sides. During his farewell address song, “One Last Time” Washington sings, “Though, in reviewing the incidents of my administration, I am unconscious of intentional error, I am nevertheless too sensible of my defects not to think it probable that I may have committed many errors. I shall also carry with me the hope that my country will view them with indulgence and that after forty-five years of my life dedicated to its service with an upright zeal, the faults of incompetent abilities will be consigned to oblivion as I myself must soon be to the mansions of rest.” 
• He lets the characters speak for themselves. The lyrics sound very modern because they are, yet there are examples of when Miranda lets the characters speak their own words. During George Washington’s introduction, he is asking for help and says, “Are these the men with which I am to defend America?” That is a direct quote. In “One Last Time” Washington also quotes his favorite Bible verse, Micah 4:4 “Everyone shall sit under their own vine and fig tree and no one will make them afraid,” (referring to living in peace.)
• Stories of redemption are beautiful. Hamilton’s humble beginnings, struggle to achieve success, love for Elizabeth, affair, loss, and eventual redemption weaves a beautiful story that resonates with our hearts. 
• Hard work is glorified. So much of our culture makes hard work look uncool. Athletes often take a nonchalant attitude rather than admit how much effort they put into their skill. Partying and relaxing are considered to be ideal and work is just to pay the bills. Alexander Hamilton didn’t have much to say about relaxation or leisure. He worked hard. The musical points that out often with lyrics like, “Why do you always write like you’re running out of time. Are you running out of time?”  

I know this post has been longer than usual but I hope it has helped you decide if Hamilton: An American Musical is for you. Whether or not you decide to watch I would highly recommend the Ron Chernow biography. Alexander Hamilton was an incredible American who is well worth knowing.